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The air is full of death and desolation. It is cold and raw, and no vestige of vegetation is anywhere. In the distance, indeed, she can see some fir-trees that alone show green amidst a wilderness of brown, and are hailed with rapture by the eye, tired of the gray and sullen monotony. But except for these all is dull and unfruitful.,

Mona accepts this excuse for bygone injustice, and even encourages her mother-in-law to enlarge upon it,—seeing how comfortable it is to her so to do,—and furthermore tries hard in her own kind heart to believe in it also.,

Paul Rodney, standing where she has left him, watches her retreating figure until it is quite out of sight, and the last gleam of the crimson silk handkerchief is lost in the distance, with a curious expression upon his face. It is an odd mixture of envy, hatred, and admiration. If there is a man on earth he hates with cordial hatred, it is Geoffrey Rodney who at no time has taken the trouble to be even outwardly civil to him. And to think this peerless creature is his wife! For thus he designates Mona,—the Australian being a man who would be almost sure to call the woman he admired a "peerless creature.",

"Daisies pied, and violets blue,

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"Down below in the hollow, miss,—jist behind the hawthorn-bush. Go home some other way, Miss Mona: they're bint on blood.",

Mona, in spite of her haste, stoops to pluck a bunch of violets and place them in her breast, as she goes upon her way. Up to this the beauty of the early spring day has drawn her out of herself, and compelled her to forget her errand. But as she comes near to the place appointed for the interview, a strange repugnance to go forward and face Paul Rodney makes her steps slower and her eyes heavy. And even as she comprehends how strongly she shrinks from the meeting with him, she looks up and sees the chestnut-tree in front of her, and the stream rushing merrily to the ocean, and Paul Rodney standing in his favorite attitude with his arms folded and his sombre eyes fixed eagerly upon her.,

"Now you speak sensibly. The sooner you begin to hate me the better.",

Mona, stooping, caresses them fondly. They are a part of her old life, and dear, therefore, to her own faithful heart. Having partly undressed, she sits down upon the hearthrug with them, and, with both their big heads upon her lap, sits staring into the fire, trying to while away with thought the hours that must elapse before Geoffrey can return to her again.